A couple of months ago, in the midst of writing my emoji series, I took some time out to have a chat with Glenn Fleishman for his new podcast series, the Tiny Typecast. Glenn is an old friend of the blog and is astonishingly well-informed about books, typography and all things related: we talked about books and book history for what felt like a few minutes, but turned out to be the better part of an hour. Glenn is easy to talk to and, if you check out our conversation on Apple Podcasts or at Glenn’s blog, you’ll find that he’s easy to listen to, too. (The jury is still out on yours truly.)
As exuberant as emoji can be in the right hands, our palette of emoji remains tightly controlled by the Unicode Consortium. There are, however, other ways to embed colourful graphics in your digital messages, and, in the long run, there is every possiblity that they may elbow emoji out of the way entirely. The future of emoji may not be emoji at all.
On Tuesday the 14th of May I’ll be taking part in an event at the St Bride Foundation in London called “Collections and Collaborations”. It’s a showcase for a set of posters inspired by St Bride and its collections, and I was lucky enough to be paired with the talented Tom Etherington, a book designer at Penguin, to help produce one of those posters.
I’m happy to announce that The Book: A Cover-to-Cover Exploration of the Most Powerful Object of Our Time is now available in Chinese (complex characters), courtesy of Taiwan’s Rye Field Publications. It’s available now and is priced at NT$550. If you happen to buy a copy, please leave a comment below or drop me a line via the contact form to let me know what you think!