My last post, where we took a look at Birmingham’s over-punctuated street signs, stirred up quite a bit of discussion. Rich Greenhill suggested that Birmingham’s commas-and-tilde motif could have come from an abbreviated medieval ‘a’ or, perhaps, “ditto” marks. H James Lucas wondered if the paired commas might be a single inverted comma, used by the ironmonger to save typesetting effort; Brian Inglis took the opposite tack and suggested the commas could have been added purely so the manufacturer could invoice for an extra couple of characters. And, on street signs in general, Korhomme pointed out Bern’s colour-coded street signs, imposed by Napoleon’s invading armies. Read about these and other ideas in the comments from last time round.
We moved from London to Birmingham a couple of years ago now, and one of the first things I noticed when we arrived were the street signs: extravagant, cast-iron behemoths far removed from London’s restrained licence plates for buildings. Above is a typical street sign in Edgbaston, our then-new neighbourhood; below is an old-style enamelled sign from Wandsworth, our previous one.
Happy new year! Here’s a post that I certainly did not expect to crest 1,400 words.
There have been a rash of recent news stories from Brittany, the westernmost region of mainland France, concerning parents wishing to give their children traditional Breton names. In September 2017, for example, Agence France-Presse published an account of a baby boy named “Fañch”1 whose parents were told that per government rules their son could not have a tilde in his name. As the French government’s website explains,