It is a cliché to say so, but the prim façade of suburbia hides some remarkable secrets. A month or two back I was researching the hyphenation practices of the closing years of the Victorian era, a period when printing was in the midst of a change from manual to automated composition courtesy of new-fangled machines such as the “Monotype” and “Linotype” systems. In doing so I came across the website of the Chepman & Myllar Press of Edinburgh,1 which claimed ownership of the last working Monotype caster in Scotland. I had never seen a Linotype or Monotype system in person before and I couldn’t resist emailing Harry McIntosh, the proprietor, on the off chance that I might be able to inveigle my way into a visit. He agreed, much to my surprise, and so it was a few weeks later that I made my way out to Edinburgh’s leafy western suburbs to meet Mr McIntosh at his home.