Miscellany № 82: the Future (and the Past) of Text

On Monday 11th September I gave a talk at Southampton University for the 2017 edition of a yearly symposium called “The Future of Text”. I’ve known Frode Hegland, its organiser, for a few years now (we first corresponded back in 2014, as I was finishing the manuscript for The Book, and he’s a fellow immigrant here in South London) but I must confess to having been a terrible conference tease. Each time he has asked me to participate, I’ve made positive noises and then subsequently had to back out because of one thing or another.

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Miscellany № 81: Toward a Taxonomy of the Interrobang

Remember the interrobang‽ Of course you do! That’s the kind of rhetorical question for which the interrobang is perfectly suited. I’ve been thinking about Martin K. Speckter’s punctuation mark of late for a couple of reasons: first, a Google alert turned up an obituary of a Minnesotan poet named J. Otis Powell‽. I hadn’t known of Powell‽ previously — I’d have loved to have been able to ask him about his surname! — but Minnpost explains his unusual name as follows:

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Miscellany № 80: irony archaeology

In the wake of my last post (Miscellany № 79: jè?), I was doing a bit of digging into the history of emoticons — those recumbent smileys used to signify happiness (:)), sadness (:(), mehness (:|) and so on — when I came across Scott Fahlman’s personal website. Fahlman is the man famous for inventing the emoticon and, although I’ve written about him before, both here and in the Shady Characters book, in both cases I skated over the exact circumstances of his invention because, well, I didn’t know what they were. Having found his webpage at Carnegie Mellon University, however, I now find that the whole story has been there for the reading for a decade or more!

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Miscellany № 79: jè?

Always nice to ease oneself back into the swing of things with a new mark of punctuation, don’t you think? I was pleased to come across the following announcement a little while ago:

On May 27, at the international design conference TYPO Berlin two new typefaces will be launched that are designed as part of the TilburgsAns project. Both typefaces – TilburgsAnsText and TilburgsAnsIcons – contain a new punctuation mark. This mark is based on the Tilburg dialect word ‘jè’ (which sounds more or less as ‘yeah’) that is used as a confirmation but often expresses some doubt or mild irony. The jè-mark bridges the gap between the exclamation point and the question mark.

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