Miscellany № 59: the percent sign

A few weeks back, Nina Stössinger asked on Twitter:

Isn’t it odd that the percent sign looks like “0/0” rather than, say, “/100” or “/00”?

This, it turns out, is a very good question. Like Nina, I had assumed that the percent sign was shaped so as to invoke the idea of a vulgar fraction, with a tiny zero aligned on either side of a solidus ( ⁄ ), or fraction slash. That said, something about those zeroes had always nagged at me. Specifically, as you divide any non-zero quantity by a smaller and smaller number the result tends ever closer to infinity (or rather, ±∞ as appropriate), until finally, when dividing by zero itself, you reach a mathematical singularity where the result cannot be computed — a numerical black hole of exotic properties and mind-bending implications. Throw in another zero as the numerator and you have a thoroughly nonsensical fraction. Though this is all terribly exciting from a philosophical point of view, it is not an especially useful situation to be in when trying to communicate the simple concept of division into hundredths. Either the ‘%’ had stumbled, blinking, from some secret garden of esoteric mathematics and into the real world, or there was more to the story. And so there was.

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Miscellany № 58: a selection of long reads

A back to basics post this week — here are a few longer articles and websites for you to peruse at your leisure.


Erik Kwakkel, who writes the scholarly yet readable Medieval Books blog, recently posted an entry tracing the development of footnotes in the medieval period. Erik’s writings were a great source of inspiration for me as I researched The Book, and in this instance he has managed to hit upon a subject that unites both Shady Characters’ interest in punctuation and the wider world of old books. He writes:

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Miscellany № 56: an octothorpean Christmas

We need to talk about the octothorpe — primarily because everyone else is talking about it too. The past couple of months have see the ‘#’ dusted off, dressed up in its party clothes, and presented to the world at large in a variety of articles, videos, and radio programmes. But the octothorpe’s current renaissance does not stop there; by means of diligent detective work I have determined that it is now possible to experience the #-symbol with every human sense. I mean it: you can see, hear, smell, touch and taste the octothorpe if you so desire. How, you ask? Let me tell you.

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Links, musings and other miscellaneous tidbits.