I don’t mind telling you: I could use a drink. Work on the The Book continues apace — if all goes according to plan, the manuscript will be delivered to Mr Brendan Curry by the end of this year and the book published by the end of 2015 — and my thoughts are turning to how I might celebrate its completion. A tasty beverage would hit the spot.
Time for one last grab-bag of punctuation goodies before Christmas and New Year. First comes a story courtesy of the American TV quiz show Jeopardy (yes, I’m as surprised as you are). The basic idea behind Jeopardy, for the uninitiated (as I was, until my wife made me watch Saturday Night Live’s “Celebrity Jeopardy” sketches), is that contestants are given the answer to a question and must tell the host, Alex Trebek, the corresponding question.
Publication and its attendant excitements have taken up much of the past month, and I have a stack of punctuation-related matters to catch up with. Without further ado, let’s get on with the show!
Readers of Shady Characters (whether in book or blog form) will recall that the octothorpe (#) came by its rather esoteric name courtesy of the creation, in the 1950s, of the push-button telephone keypad. The engineers of Bell Labs had designed a 4 x 4 grid of buttons where each row and column was assigned a unique audible frequency; when pressed, a button produced a tone composed of the frequencies corresponding to its location on the grid. Early production handsets had only ten buttons — the digits 0–9, arranged in the familiar inverse-calculator layout — while later versions added ‘*’ and ‘#’ buttons to yield a neat 3 x 4 grid. (Military and other speciality handsets used all four columns.) The story, as told by two separate Bell Labs employees, goes that there was no unambiguous name for the ‘#’ and so, for the purposes of training and documentation, it was necessary to invent one: “octothorpe” was the result, and its place on the soon-to-be ubiquitous telephone keypad assured its survival into the future.
Back in The Octothorpe, part 1 of 2, I quoted typographic guru Robert Bringhurst’s claim as to the cartographic origins of the ‘#’ sign:
In cartography, it is a traditional symbol for village: eight fields around a central square. That is the source of its name. Octothorp means eight fields.1
After the New York Times’ article “Semicolons: a love story” mentioned here last time, Mary Norris of the New Yorker has weighed in with a rather more measured piece entitled “Semicolons; So Tricky”. Where do Shady Characters’ readers sit on this mark, I wonder? Is use of the semicolon a matter of taste or an essential part of writing?