Underware, the Dutch/Finnish type foundry comprising Akiem Helmling, Bas Jacobs and Sami Kortemäki, is one that gets special characters. Bas’s ironieteken (), or irony mark, was one of the first characters I wrote about here. They’ve also done some interesting work towards a “Latin plus” character set — a collection of the more than 450 accented and non-accented characters needed to typeset the hundreds of languages, common and otherwise, that use the roman alphabet. Now, they’ve added what they call a “manicule specimen” to this body of work. This warrants some explanation.
We’ve visited Ampersand Mountain, with its eponymous creek and hotel, and we’ve heard tell of mythical San Seriffe Island; now, welcome to scenic Asterisk Pass in Oregon’s Smith Rock State Park! This excellent image was taken by Travis Kochel of Trail Type. Many thanks to him for permission to republish it.
So: time to catch up! Here are a few links to punctuational goings-on from the past couple of months.
First up, pan-European typefoundry Underware recently took some time to dive into the importance of the pointing hand, or manicule (☞). It’s an old mark, hailing back to the days when the readers of manuscripts and early printed books would draw little pointing hands in the margins to call attention to passages of interest. Though the manicule survived in print, it gradually slid from its previously exalted position, yielding the job of linking footnotes and text to the likes of the asterisk (*) and dagger (†). And yet, in common with the ampersand (&) and the pilcrow (¶), the manicule continues to offer discerning type designers a chance to flex their creative muscles. As Underware’s unnamed writer says in “There you go”,
Last month, you may remember, I featured an image of two manicules drawn by Eric Gill for Gill Sans but which never made it into the finished typeface. I lamented the fact that some shady characters just don’t get the love they deserve, citing the fact that Gill’s manicules still don’t exist in Gill Sans, even in its most modern digital incarnations.
A visual treat this week!
Our header image (above) depicts a pair of manicules as drawn by celebrity pilcrow-user, type designer, and all-round reprehensible human being Mr. Eric Gill. The picture here was taken by Molly Woodward (aka @VernacularType) at a lecture given by Dan Rhatigan of Monotype. There’s little more to say, except look at those manicules! Gill Sans has its idiosyncracies, certainly, but to the casual observer it remains an exercise in geometric forms and yet these expressive manicules are cut from a quite different cloth.