Miscellany № 79: jè?

Always nice to ease oneself back into the swing of things with a new mark of punctuation, don’t you think? I was pleased to come across the following announcement a little while ago:

On May 27, at the international design conference TYPO Berlin two new typefaces will be launched that are designed as part of the TilburgsAns project. Both typefaces – TilburgsAnsText and TilburgsAnsIcons – contain a new punctuation mark. This mark is based on the Tilburg dialect word ‘jè’ (which sounds more or less as ‘yeah’) that is used as a confirmation but often expresses some doubt or mild irony. The jè-mark bridges the gap between the exclamation point and the question mark.

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Miscellany № 78: catching up

So: time to catch up! Here are a few links to punctuational goings-on from the past couple of months.


First up, pan-European typefoundry Underware recently took some time to dive into the importance of the pointing hand, or manicule (☞). It’s an old mark, hailing back to the days when the readers of manuscripts and early printed books would draw little pointing hands in the margins to call attention to passages of interest. Though the manicule survived in print, it gradually slid from its previously exalted position, yielding the job of linking footnotes and text to the likes of the asterisk (*) and dagger (†). And yet, in common with the ampersand (&) and the pilcrow (¶), the manicule continues to offer discerning type designers a chance to flex their creative muscles. As Underware’s unnamed writer says in “There you go”,

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Miscellany № 77: amperbrand

The ampersand is one of those shady characters that has taken on a life of its own, thriving happily beyond its home in writing and typography. In particular, it exerts an irresistible power over designers, advertisers and others in the business of creating and promoting commercial brands. Fortnum & Mason, for example, recently published a blog post1 explaining “the little-known story of the important symbol sat between our two famous names”. Crate & Barrel, the American homeware store, once built an advertising campaign around their ampersand;2 AT&T did the same earlier this year.3 As John Brownlee of Fast Co. Design puts it in “Why Designers Love The Ampersand”,

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Miscellany № 76: punctuating the summer

The first stage of this year’s Tour de France

ran from Mont-Saint-Michel to Utah Beach/Sainte-Marie-du-Mont, along the north-west coast of the Manche region, on the second of July. As the riders followed the 188km route, they passed through the little town of Gouville-sur-Mer, which, in the time-honoured tradition of provincial villages that the Tour visits but once every few decades or so, laid out its slogan for the TV helicopter to see: Gouville-sur-Mer, capitale mondiale de l’huître de pleine mer (Gouville-on-sea, world capital of the open sea oyster).

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Miscellany № 75: the end of the full stop. Period?

I’m on holiday this week, spending some time in sunny Wisconsin with my wife Leigh’s family, but a minor kerfuffle in the world of punctuation has come to pass that demands comment.

The issue is this: is the full stop on the ropes? That’s the thesis being discussed by newspaper writers in both Europe and America, prompted by remarks made by David Crystal at the recent Hay Festival. As quoted by the Telegraph’s Hannah Furness, Dr Crystal said:

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Links, musings and other miscellaneous tidbits.